I remember the day when my main co-teacher showed me my Korean apartment. I was carrying two suitcases and was swaddled in a sopping-wet sweater vest, slick with Korean humidity and my own terror-sweat. I looked around my one room, my first apartment to myself, and was stunned by a sense of grandeur. There were walls and a ceiling, a bed and a couch, pots and pans and an entire bathroom, and they were just for me. They were mine. All twenty cubic metres of them.
My meagre collection of belongings easily slid under beds and into cupboards, my suitcases wedged below the couch and beside the wardrobe. I had no decorations to speak of, other than pictures I sellotaped to walls and whatever sea-creature decals I allowed to remain spread across the apartment in monument to its previous occupant.
I was a grown-up, and this was minimalist living, I thought. The lack of space necessitated the style, but it suited me fine. Extra room just meant more things to clean, more things to polish, more things to worry about damaging or coating in ice cream when I grew careless and sloppy. A one-room was the apartment for me, as it necessarily created a simplistic lifestyle, near monasticism in its quiet, lazy effortlessness. I felt moved in within an evening, and as much as the place could become recognizably mine, as much as a single room with a kitchenette and a single bed can become personalized, it was shaped in my image.